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Archive 192: Abstract Photographs by Women

February 10 – May 31, 2025

Archive 192 is an independent archive dedicated to preserving and celebrating abstractionist works by women photographers established in 2015 by photographer Louie Palu and photo editor Chloe Coleman. The archive, which now holds over 200 prints, books and ephemera, challenges conventional narratives of the history of photography that center documentary realism and aims to counter underrepresentation of work by women in institutional collections.

This exhibition presents a selection of photographs from Archive 192 that explore the diverse techniques of abstraction, including framing, cropping magnification, and altering chemical processes. These visual strategies present unfamiliar views of real-world objects and change the appearance of photographic prints to create non-representational images. The photographs on view also represent the array of photographic processes employed by photographers in pursuit of abstraction over more than a century, including cyanotypes, C-prints, tintypes, and Polaroid color instant prints. Related ephemera including publications, artist books, and posters document the evolution of abstractionism in photography and the political contexts, such as the feminist movement, that impact women working within the medium.

 

Cover image: Claudia Fährenkemper, Sodium Chloride / Natriumchlorid, from the series Habitus, 2003. Gelatin silver print. © Claudia Fährenkemper.


Black and white photograph of sodium chloride crystals under magification
Claudia Fährenkemper, Sodium Chloride / Natriumchlorid, from series Habitus,
2003. Gelatin silver print.© Claudia Fährenkemper.
Claire A. Warden, Patterns in Performance, 2014. Pigment print. © Claire A. Warden.
Sara Angelucci, Coppley Patterns (DM), 2017. Chromogenic Print. © Sara Angelucci.

Sage Lewis, Drawing, 2013. Gelatin silver print. © Sage Lewis.